Palermo is
a city with obvious traces of its ancient Phoenician past, but it also shows evidence
of its Jewish, Norman, and Arab medieval guild economy. Nowhere is this more apparent than in the streets
and quarters named after their inhabitants’ professions and the clustering of
trades within small areas of the city.
For example, Via Calderai (coppersmiths) is
still home to metalworkers and boilermakers.
Via Lamponelli (lamp) was once home to lantern makers, as was Via
Cartari (carta means paper) for paper
makers. Even without street names, you
soon realize that you go to Piazza San Domenico for jewelry, or to Dicesa dei
Giudici for baby clothes and carriages, or to Via Biciclettai for a bicycle. And if it’s silver you’re after, you go to
Piazza Meli.
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| Entrance to Piazza Meli |
Meli doesn’t mean silver, but apple trees, so there must have been
some there at one time. Today there is
just (“just!”) a single Magnolide gigante
that towers over the courtyard, shading and obscuring the silversmiths at work.
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| Magnolide gigante |
My husband
and I recently went to Argenteria Amato Antonino at Piazza Meli 6 for a gift. I found
the sterling silver present I wanted, which was priced by weight, and I asked the young woman who
waited on us if it could be engraved with the text I’d brought with me.
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|
Edvige
Puleo, Engraver
|
Of course it could, and while we waited no
less! She whisked my gift away to begin
her work, and the owner of the workshop, Signore Amato himself, came out of his “No
Admittance” area in a royal blue lab coat to ask if we’d like to see what goes
on in the back. Of course we would!
He ushered us
through the door and into a large open workspace where our engraver was
busily working on my gift. Sitting at
the workbench next to her was Signore Amato’s nephew, who was embossing a silver vessel with
a hammer.
Signore Amato
led us into a room off the workshop devoted to articles used in religious
ceremonies, such as monstrances, chalices, crucifixes, plates for the Host, thuribles
(metal censers suspended by chains and used to burn incense during church services),
and other articles that are beyond the reckoning of this lapsed Catholic. (Quick note on thurible swinging: three double swings for the Most Blessed
Sacrament or when displaying a relic; two double swings only at the beginning
of the Mass, after incensing the altar; and one single swing to incense the altar. There’s a religious protocol for everything!) In any case, a whole lotta swinging silver in
those display cases!
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| Sacred Silver |
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| Sacred Silver |
Signore Amato then
wandered off to another part of the workshop, gesturing for us to follow. This room had a small anteroom containing the
furnace, now powered by gas but in former times by charcoal. This is where the silver ingots are heated to
a molten state in a tungsten vessel with a higher melt temperature. He showed us his tongs and other tools of the
trade used to handle this boiling metal.
I didn’t see any drops of silver on the concrete floor, so he must be pretty good
at this after 52 years. His grandfather
started silversmithing in this very same space, he said.
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| Furnace Room |
The rest of
the room was filled with very large, very heavy, green and yellow
machinery. Signore Amato cut off a piece from
a sheet of brass and then fed it into an oiled press.
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| The Press |
He turned the wheel, the piece of sheet metal
engaged, and out it rolled in a much reduced thickness.
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The back of
the workroom was filled with wooden shelving holding male and female molds for ex-votos. Excerpted from Wikipedia:
An
ex-voto is an offering given in fulfillment of a vow (hence the Latin term,
short for ex voto suscepto, "from the vow made") or in
gratitude or devotion. Ex-votos are placed in a church or chapel and can take a
wide variety of forms. They are not only
intended for the helping figure, but also as a testimony to later visitors of
the received help. As such they may
include symbols such as a painted or modeled reproduction of a miraculously
healed body part, or a directly related item such as a crutch given by a person
formerly lame. There are places where a
very old tradition of depositing ex-votos existed, such as Abydos in ancient
Egypt.
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| Ex-Voto Molds |
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| Male and Female Ex-Voto Mold for a Heart |
In another
side room was a peg board holding hammers and other tools first used by Signore Amato’s
grandfather and still used today.
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| Grandfather’s Tools |
Heading back to the sales room, we were shown
various newspaper articles, certificates, and awards for the commissions
Argenteria Amato Antonino had won, complete with photos of Pope Benedict XVI
and the Bishop of Palermo. Signore Amato
was obviously and rightfully very proud of his work.
And although
the shop is hidden away in a secret courtyard, obscured by a giant magnolia, it
isn’t lacking for customers. I was there
three times and each time, I waited to be served while someone chose a gift in
silver for a christening, or dropped off a silver napkin holder to be repaired, or browsed silver anniversary gifts.
The guild tradition is very much alive and well in Piazza Meli, and I feel
very lucky to have gotten a behind-the-scenes glimpse of the art of Signore Antonino Amato, silversmith.
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|
Sig.
Antonino Amato
|
Keep it
real!
Marilyn














Like you, I like going backstage and I loved this story.
ReplyDeleteHow excellent! And very cool you got to see a bit of the history of the engravers. Really cool dude! Loved it!
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